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28. Februar 2025 – rsc_34 / new releases: Mit Alessandro De Francesco, Elisabeth Wandeler-Deck, Stefan Humbel, Christian de Simoni und Hartmut Abendschein

 

Sie sind herzlich eingeladen / You are kindly invited

Alessandro De Francesco:
Unstable Orbits

rsc_34: 01.03. – 24.03.2025:
Artist Book (curatorbooks 014, ccccc.ch, 2025)

 

Vernissage / Apéro (mit New Releases): 28.02.2025, 18:00
Mit Alessandro De Francesco sowie
Präsentation der Frühjahrsnovitäten von und mit
Elisabeth Wandeler-Deck, Stefan Humbel,
Christian de Simoni und Hartmut Abendschein.

New Tapes @ tkbks, kühle Getränke, Snacks, Kassettenmusik

 

@ etkbooks store, Monbijoustr. 69, Bern, etkbooks.com/store

 

New Releases:
zarte listen (Elisabeth Wandeler-Deck/N: Stefan Humbel), etkbooks 077
Quit smoking with Robert Musil (de Simoni/Abendschein, Hrsg.), etkbooks 076
hab: archival healing, tkbks037

 

Download Flyer
 

 

also save the date:
27. Februar 2025, Text!
Andi Schoon im Gespräch mit Hartmut Abendschein
Universitätsbibliothek Bern, Bibl. Münstergasse

blog curatorbooks titel

Alessandro De Francesco: Unstable Orbits (curatorbooks 014)

 

 
Alessandro De Francesco
Unstable Orbits
Image schemes and poems
curatorbooks 014, www.ccccc.ch/
edition taberna kritika, März 2025, ISBN: 978-3-03947-014-3
20,00 Eur / 20,00 CHF, 118 S. (farb.) – 19 x 19 cm, Broschur
 
Orbits are everywhere: in the universe, behind your eyes. Moons orbit around planets, planets orbit around stars, stars orbit around black holes at the centre of their galaxies, galaxies orbit around larger clusters of gravity… Every orbit implies some influence among bodies that are close enough to exert it and to feel it, but because of that same influence bodies move and change their position all the time. In Unstable Orbits we find interactions between two processes that are themselves unstable and fragile: impossible and inexistent schemes inspired by theoretical physics and complex systems, and a few lines of poetry.
 
Leseprobe
Order: qua Verlag (nur CH) / Internat. (Lulu/PoD)
 
ALESSANDRO DE FRANCESCO is a poet, artist, and essayist writing in Italian, English, and French. His books in English include: Remote Vision: Poetry 1999–2015 (punctum books, 2016), ((( (punctum, 2021), And agglomerations, of trees or (Mousse Publishing, 2022), Mental Dough. Dialogue on Poetry and Artistic Practice, with Marco Mazzi (Gli Ori, 2022), and Continuum 2. Writings 2015-2022 (punctum, 2024). More: www.alessandrodefrancesco.net
 

„So how remarkable to see the appropriation of these shapes and combinations into a work of lyric poetry in Alessandro De Francesco’s fully engaging book, Unstable Orbits, where every page is a thought experiment in the ability of schematic form to embody rich poetic statements. (…) De Francesco’s system is the human world, emotional, personal, projected and introspected at the same time. The individual works are deceptively minimal, their allusive provocations far more profound than the schematic presentations at first suggest. These are diagrammatic poetics, graphic and linguistic equations that inscribe exceptionally complex situations with an elegant efficiency of means. Some are amusingly clever. Others are poignantly moving.“ Johanna Drucker, 13.05.2025

blog titel tkbks

hab: archival healing

 
 
hab: archival healing
full stream url (01.01.2025-21.01.2025)*:
(auf anfrage)
limit. usb tape edition, 1.8 gb, 27 min, mp4
tkbks 037, 2025
isbn: 978-3-03947-237-6
doi: 10.17436/etk.t.037, mehr/order …
 
 
 
 
hab: archival healing (excerpt, 5:44)

 
Diese Film-Bricolage von Hartmut Abendschein schliesst weiter an die upcycling-Reihe an. 20 found footage Urlaubsfilme aus den 1960er Jahren mit einer dreieinhalbstündigen Gesamtspielzeit werden mit einem regelpoetischen Verfahren einer Löschung bzw. Verwischung unterzogen. Dabei werden menschliche Selbst-Darstellungen und Hinweise dem Material durch verdichtende Cut-ups entnommen und stattdessen auf Natur und Kontext fokussiert. Der zugrundeliegenden narzisstischen Erinnerungsproduktion werden die Subjekte entzogen und durch Reframing “nebensächliches” Leben oder menschenverlassene Artefakte symbolisch Abbitte geleistet. Diesem so deanthropisierten Archiv werden Fieldrecordings auf Grundlage der Metadatenproduktion hinzumontiert.

This film bricolage by Hartmut Abendschein continues the upcycling series. 20 found footage holiday films from the 1960s with a total playing time of three and a half hours are subjected to an erasure or blurring process using a regular poetic procedure. Human self-portrayals and references are removed from the material through condensed cut-ups, focussing instead on nature and context. The subjects are removed from the underlying narcissistic production of memory and symbolically apologised for by reframing „incidental“ life or abandoned artefacts. Field recordings based on metadata production are added to this deanthropised archive. (dpl)
 

* rsl_02, winterlude @ etkbooks store
 

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